Oohfashion Fall/Winter 2011
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Photography Blog by Duncan Holmes

Oohfashion Fall/Winter 2011

 
Following my recent excursion to Edinburgh, I took advantage of the offer of a press pass and dragged my cold filled head back to the capital for the Oohfashion Fall/Winter show.  I was quite proud of my pernickety self for not cornering the organiser, Gary, about the use of Fall vs Autumn.
 
I managed to find the venue, The Green Room at 14 Picardy Place, with relatively little fuss, I even found somewhere to park the car. So bright and early, I arrived at the tail end of the rehearsal. This was a good chance to scout out the best seat in the house for pictures. A couple of other photographers had already nabbed the top of one aisle,so I found myself, slightly worried for my hearing, parked with my head next to the speakers.
 
The organisers had chosen to create a square of chairs facing out and in, with an aisle between, to allow the models to walk between the rows of the audience. I really liked this approach,  it grounded the fashion and personalised it, so you still had some of the theatre of a catwalk show, but you also got to see the designs up close and get a feel for how the styles might fit (or not) into the real world.
 
Gary, head honcho at Oohfashion, was wandering in a frenzy, with his clipboard, with occasional cries of “I need to pee” and “I’m hungry”. Various helpers strode up and down the rows of chairs to ensure programs and other leaflets were all in order.
 
Once the beautiful people of Edinburgh began to arrive, the glamorous setting of theGreen Room really began to feel like a grown up fashion show. The only minor flaw was that due to the limited size of the venue there were a number of people stuck in the bar on tiptoe or climbing the walls to get a view of the fashion.
 
So a little after 8pm, after chatting to fellow photographers who had settled around me in my perfect spot, I was all ready for the show to start. (as a side note I was lucky enough to meet the lovely Daniela Flores, who was sat beside me, we’d sat next to each other at The Only Way is Glasgow, so it was onlypolite to introduce ourselves).
 
Firstup on the parade were the designs from Jenivieve Berlin Millinery, showing herLace and Chain collection. Having seen some of her work at TOWIG it wasinteresting to see some new designs.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Next up  were Christine Watson’s designs, under her brand C.Watson.  I had only ever met Christine in the company of Nicola Napier before (the designer behind Nicci.n), so it was fun to see some of her own work on display.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
21st Century Kilts brought around the first appearance of the male options for theday. Tweedy and stylish looks with a minimalist nod to plaid.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Ness was up next, a familiar brand from shops here and there in Scotland. It was fun to see the styles and combinations on the models here, which gave it a younger look than I had imagined.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Nicci.n’s designs then hit the catwalk and caused the usual stir with the mix of styles, cuts and the lace masks for some of the models.  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Those Were the Days Vintage Boutique provided the next range of outfits, for men andwomen.  The first thought that hit me when I saw the first male model in his green overcoat was a reinvented Crusty(think back to the early nineties and the grungy, dreadlocked folk with a dog on a string). The boutique managed to create some interesting looks for the rest of the models too.
 
Rene Walrus had had a few pieces at the Ooh Fashion launch, so I had had a preview. Using some of the same ingredients as the other milliner’s on the day they also managed to make their own stamp on the occasion and had some veryindividual styles. I really liked the berets with spikes, which seemed to be the kind of hat that you could see onthe high street, if people still wore hats.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Megan at NutMeg Couture brought her Goddess Collection to the show. It was great to see these dresses again, and get a better angle on them.  If only Scotland had a proper film industry,with regular premieres, because then all you would see on the red carpets would be dresses from NutMeg.
 
 
 
 
 
Meloosha, a boutique in Alva Street showed some of their Autumn/Winter attire. This range of different outfits gave a stylish nod to winter, with some dresses for those Christmas do’s.
 
 
 
 
 
 
 
 
Karen Reid Designs brought a bit more fun and colour to the evening, starting out with some more feather creations before moving on to colourful discs and wild explosions. It ended with a giant bow and long veil for the alternative bridal touch.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
I didn’t realise it at the time, but I’d accidentally met the designer behind Sweet Danger’s outfits during my recent dealings with Obscure Couture. Leelah was working as their intern when I dropped by to pick up and drop off the clothes we borrowed. She came out with her own distinctive range of looks andstyles, which nodded occasionally to more extreme fashion, but also presented some interesting approaches to nightwear.
 
By this time my bum was going numb and I had been hit on the head a few times bythe Hungarian photographer behind me, it’s a sign that I was enjoying myselfthat I hadn’t  expressed variousexpletives at full volume.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Kakao by K and Lady Jojo’s were next up. Kakao had a classic approach to their collection, whilst Lady Jojo’s went for a range of distinctive tea dresses thatcrossed over from the 50’s with a healthy dose of the 21 Century.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The lady behind Tea at Aunties was sitting two seats away from me and while, as their name suggests, there was a retro touch to the looks, they were still contemporary, with some nods to wool to keep you warm in your minidress.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
21Century Kilts made a second appearance, just to confuse me. I wasn't entirely sure if this had been planned ahead, or if the changes for Psychomoda were taking longer than expected.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
And finally, Psychomoda through their hat into the ring. I’d also had a preview of one of their outfits at the Oohfashion launch, so it was interesting to discover some slinky gowns to compliment the bigger wilder outfits. There’s a heavy Scottish influence in some of her outfits, so it is fun to see the traditional touches brought screaming into current times.
All in all it was a good night, and except for a couple of technical glitches(someone forgot to bring a microphone), the organisers ran a slick event. Kudos to Gary Anderson and his crew.
 
With no stage to climb the models also had a smoother walk, with less chance of tripping on or off the catwalk, they just had to brave the gauntlet of the audience’s feet.
 
 
 
 
 
 
 
 
 
 
Being a school night, and loaded with the cold, I did a runner at the end of the night. The little shining light at the end of night was stopping off at at a takeaway on Broughton Street and being served by a lovely young Spanish woman who was also a graduate of my university in Spain, ICADE. She was in the UK to brush up her English and start work as a social worker, so best of luck to her!
 
 
 
More pictures from the show can be found at:  http://www.flickr.com/photos/photographybyduncanholmes/sets/72157627808459153/
 

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